By Saul Glasman
By all rights, Los Angeles duo She Wants Revenge should trade in climaxes. The narratives of most of the songs on Valleyheart point dutifully at an acrobatic guitar solo or a cathartic spray of lovelorn bellowing that simply doesn?t arrive. The subwoofers are wired, but the bass never drops; the opener ?Take The World? is five minutes spent absent-mindedly waiting for a gear change to kick. This furrow in their otherwise confident songwriting is baffling, but it makes the album sound like a series of promises breaking.
Source: http://tech.mit.edu/V131/N27/valleyheart.html
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